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Triangulating Our Vision
Special inaugural issue of Different Visions dedicated to Madeline H. Caviness’s “triangulatory”approach to medieval art and featuring papers given at the Forty-first International Congress on Medieval Studies, which took place at Western Michigan University in Kalamazoo, May 4-7, 2006
Editor-in-Chief: Rachel Dressler, University at Albany
Guest Editor: Corine Schleif, Arizona State University
Contents
Rachel Dressler, University at Albany, Welcome
Views of Ourselves
Kathleen Biddick, Temple University: Sexing the Cherry
Kathleen Biddick, Temple University and Madeline Caviness,
Tufts University: Transcript of Inter-View, Boston, March 28, 2006, on which the above essay is based
Views of Our Theories, Views of Ourselves
Corine Schleif, Arizona State University: Introduction or Conclusion: Are We Still Being Historical? Exposing the Ehenheim Epitaph Using History and Theory
Charles Nelson, Tufts University: Are We Being Theoretical Yet? Innocents Abroad and Sachsenspiegel Scholarship
Madeline Caviness, Tufts University: General Response to the Papers, 2006, “The End of Theory?”
Views of Art from the Middle Ages, Views of Our Theories, Views of Ourselves
Madeline H. Caviness, Tufts University: From the Self-Invention of the Whiteman in the Thirteenth Century to The Good, The Bad, and The Ugly
Anne F. Harris, De Pauw University: Stained Glass Window as Thing: Heidegger, the Shoemaker Panels, and the Commercial and Spiritual Economies of Chartres Cathedral in the 13th Century
Karl Whittington, University of California at Berkeley, Ph.D. candidate: The Cruciform Womb: Process, Symbol and Salvation in Bodlieian Library MS. Ashmole 399
Rachel Dressler, University at Albany: Gender as Spectacle and Construct: The Gyvernay Effigies at St. Mary’s Church, Limington
Sarah Bromberg, University of Pittsburgh, Ph. D. candidate: Gendered and Ungendered Readings of the Rothschild Canticles
Martha Easton, Bryn Mawr College: “Was It Good for You Too? Medieval Erotic Art and Its Audiences
Linda Seidel, University of Chicago: Adam and Eve: Shameless First Couple of the Ghent Altarpiece
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