Showing posts with label Iranian. Show all posts
Showing posts with label Iranian. Show all posts

February 5, 2010

Bahman Jalali: 1944-2010 - Iranian Photographer

Iranian Photographer and Artist Bahman Jalali: 1944-2010: "
Payvand Iran News 

Iranian Photographer and Artist Bahman Jalali: 1944-2010



By Syma Sayyah, Tehran




Bahman Jalali

Ustad
Bahman Jalali was an internationally acclaimed
photographer and renowned artist. He had a gentle manner that touched all of
those that came to know him, he was good hearted, observant, a private and
simple man, but an expert in his field.





He was liked  and respected as a teacher and photographer by his colleagues, contemporaries
and by his many students and without a doubt has influenced many young
photographers deeply. He was known as a war photographer and covered the
Iranian Revolution, and published two books Khorramshahr and Days of Blood, Days
of Fire. He was also involved in making documentaries but he is mostly known
for the time and devotion that he bestowed on his students and as a real good
ustad (teacher)
to photographers, photojournalists and his students at the
universities that he has taught for many years. He was easily the most popular
professor as many students desperately wished to have him as their tutor.



He had collected a large collection of glass negatives from Golestan Palace, and
published these in a very interesting book of his, 'Visible Treasure'. He was
curator of Iran's first photography museum and he exhibited internationally -
currently he was participating in an

exhibition
in Milwaukee. In 2007 he was honoured by the Fundacio
AntoniTapies in Barcelona by a retrospective exhibition.


I worked with Bahman Jalali during the three years of the Kaveh Golestan Photojournalism
Awards for which he was head of the jury as well as a member of the steering
committee. I came to know his gentle yet interesting sense of humour during our
many committee meetings and later during less formal dinners and time we all
spent together along with our mutual good friend Mrs Golestan. I always found
him calm and serene - he spoke his mind, never insisted but let the logic of his
point reveal itself.




Bahman Jalali and Rana Javadi

With his wife, my good friend the photographer Rana Javadi, he lived in a beautiful house
in the centre of Tehran where we all went to pay our respects this afternoon.
From what I saw today, the pain and sorrow of his students was overwhelming, one
of them said to Rana, "I do not know if we are to express our condolences to you
or you to us" - this made everybody there watery eyed as this young man let out
his emotion and cried his heart out along with all of us present.



Bahman had arrived back in Iran from Germany late last night, saying that he wanted to be
under his own lahaf (blanket). On Friday morning he did not feel
well and so they went to the Tehran Clinic, where everything seemed under
control until suddenly at about 3 in the afternoon, he kissed his wife's hand
and smiled and thanked her and a few minutes later left this world for the next,
as calmly and quietly as he was famous for.




He will never be forgotten by all those who loved and respected him and I am sure that
he will be looking after loved ones and his students from high above.



His funeral will take place on Sunday morning, 17th January, commencing at
Artists Forum and he will be buried in the Artists plot at Beheshte Zahra.


Please join me sending his soul a prayer and we hope that his loved ones and Iranian
photography will be able to bear this loss. We are all surrounded by our
memories of him.


May he
rest in peace.



























"
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November 19, 2009

Arab and Iranian Photography at Paris Photo

Artdaily.org - The First Art Newspaper on the Net: "
Arab and Iranian Photography at Paris Photo, Why this Choice?




Bahman Jalali, 'Image of Imagination 2', 2003. Courtesy Silk Road Gallery, Tehran.

By: Guillaume Piens, Deputy Fair Manager

PARIS.- Since the turn of the new century, photography has become the dominant medium on what is an effervescent and very diverse contemporary art scene throughout the Arab countries and in Iran, a scene which is now the subject of growing interest on the part of the international market. There is a multitude of exhibitions and publications dedicated to Arab and Iranian contemporary artists, including a significant exhibition held in London in January 2009 at the Saatchi gallery entitled “Unveiled: New Art from the Middle East.”

It is important to note that contrary to what is often assumed, there is a real fascination in the Arab countries and Iran for the photographic image, and the relationship with this medium goes back a long way. Europeans set out to photograph the “biblical lands” as early as the 1840s. Most well-known among them are Gustave Le Gray, Maxime Du Camp and Felice Beato. Photography studios soon opened in Cairo, Beirut and Baghdad, largely run by Armenians who widely contributed to the spread of the practice throughout the region. The story is somewhat different in Iran where the ruler himself, Nasser Al-Din Shah, who reigned from 1848 to 1896, became passionate about photography. He imported equipment and began to practice this new art himself. He even created a gallery in a wing of his palace in Tehran, the Golestan, to display his collection. The archives belonging to this prince of the Qajar era are still held in the palace to this day. It seems the time is right to pay tribute in a prestigious international arena like 'Paris Photo' to what is a historically rich and now booming creative scene.

Inviting Catherine David to act as guest curator for this year’s special spotlight on the Arab and Iranian scene was an obvious choice. Since she directed Documenta X in 1997, she has led and developed a number of projects on “Contemporary Arab Representations” with exhibitions, seminars and publications in several cities around Europe. In particular, in 2007, she organized a monographic exhibition of the work of Iran’s great photographer Bahman Jalali at the Tapies Foundation in Barcelona. She also led a multi-disciplinary event called “Di/Visions: Culture and Politics of the Middle East” at the House of World Cultures in Berlin (Dec. 2007 to Jan. 2008). More recently, she conceived the “ADACH Platform for the Visual Arts” for the Abu Dhabi pavilion at the 2009 Venice Biennale.

For 'Paris Photo', Catherine David has been entrusted with a project based on three key components. First is the collection of the Arab Image Foundation, an institution created in 1997 in Beirut dedicated to the photographic heritage of the Arab world. The selection of images in the Central Exhibition shows a variety of examples of studio photography from the 1870s to the 1960s. The Statement section is composed of eight galleries from Iran, Morocco, Tunisia, the United Arab Emirates and Lebanon who unveil the work of emerging contemporary artists while the Project Room offers a programme of videos which testify to the growing interest among artists of the region for the dynamics of this medium.`

In addition to this platform, a large number of galleries in the general sector have chosen to pay tribute to the work of artists from the region, or to Western artists who have worked in the area, offering visitors a rare overview of historic and contemporary photographic production from and on the Arab countries and Iran


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